Silkscreen wrote:dale coba wrote:"Giving something a try" implies that it is something you could try for a time, and then stop doing. That is not the situation they are discussing.
The idea is the doctor is trying convince her and sell it to her this way. Do you know how to describe that without the "give it a try" phrase?
There is nothing casual about this proposal. This is Amelia's [hybrid-object-life] or death. She is making a permanent and irrevocable choice, and the doctor knows that. It's not just the words, it's the tone.
Silkscreen wrote:Dale Coba wrote:Silkscreen wrote:You have nothing to lose.
That seems so brutal, especially in a letter. I guess you mean, both of them know Amelia's body is terminally ill. She could value her humanity and fear the procedure, fear becoming a thing. When fear is involved, there can be fates which seem worse than death.
Accepted, I was pondering about that sentence, too. Suggestions?
This letter, this (one-sided) conversation, needs to be re-conceived to make sense - needs for the doctor to project a different message, more logically consistent in tone with the gravity of Amelia's choice to become a cyborg or die.
That must come from you. I can't figure out how to balance the tones, a dissonant half-step apart. As I said before, you have it harder than when I imagine Stepford. Stepford is insane, the cult has won, and I don't have to reconcile natural, sane female reactions with the tone.
Maybe...add a time pressure... this is the doctor's second or third letter, she hasn't gotten a response. That gives her a more insistent tone, worried, sympathetic. Amelia still has a choice, but she doesn't get to choose WHEN she chooses - that needs to be soon; and with the deadline approaching, the doctor doesn't mind showing that she wants Amelia to "decide to live" (any sentiment like that, except "choose life" which is anti-abortion propaganda-language ).
- Dale Coba