-
Quote
-
0
login to like this post
Post
by eyebore » Thu Mar 26, 2009 1:12 pm
First of all, to Robotfan, I would probably say the first Kendra Clips are the best example for quantity and quality of speech glitches, nice expressions and decent movement. Gisselle was my favorite, where movement was involved, the quantity or robot acting is less, but the quality is definitely there.
I think Kina Kai did a nice job on her clips, as did Capri. The second part of Leah Wild's pool clip ends with a nice malfunction on the floor. I guess its a matter of preference. For two girl scenes I suggest Nikki and Megan, Eden & Marie, and Bailey & Genie.
In regards to Franks recent stuff. Since dialog, speech tics, and stutters, are so popular it would probably be best if the girls didn't speak over one another. I don't mind additional actors, I think would allow Frank to step back and concentrate more on camera operation and directing without having to interject himself into the scene as much. I'm would prefer keep the scenes R rated as opposed to X rated. The ASFR material should definitely take president over the XXX material. I don't think it is always necessary for every actor or actress in a scene to be naked and I agree with Frank's idea of using extra actors to make repairs or tamper with a girls circuits.
I appreciate Frank's recent efforts to incorporate more props and special effects into the clips. His new studio definitely lends itself to more ambitious scripts.
I am of the belief, you use a tripod whenever possible. Some angles do not lend themselves easily for tripod use, in these cases the operator simply has to do his best to limit his movement and hold the camera as steady as possible. I think it is helpful not to zoom in and out or pan when your subject is stationary. During a malfunction scene I think it works to start wide angle, then maybe zoom in to about the torso up and maintain the zoom until the malfunction scene is complete. I personally like to be zoomed in close enough to see the the girls facial expressions, while still getting a decent view of her body and movements. I think there have been a few malfunction scenes that were diminished by a bit too much camera movement.
I think it is important to realize that we understand this fetish better that anyone else and it is up to us to provide constructive input, script ideas, and to just generally give folks like Frank a better sense of the type of material we would like to see produced. Frank has been very open to suggestions and feedback, so take advantage of this opportunity. The closer his material comes to reflecting what ASFRians are looking for, the more support our community is likely to throw his way. This may allow for a greater number, of more ambitious projects. I wanted to thank Frank for all his efforts, to date nobody I know has produced as much ASFR-related material as he has, and it is greatly appreciated.